Guide

Music producer portfolio examples: 58 real sites, scored on what clients look for.

By SoundToggle · Updated October 5, 2026 · every site checked that day

We scored 58 music producer portfolios, from Nile Rodgers and Boi-1da to working mix engineers, on what a client needs to know: can I hear it, what did you do on it, what does it cost, how do I book you? A before and after you can hear was the rarest trait of all: only 2 of 57 offer one, so we added 6 SoundToggle players you can play.

Jump to the examples ↓ Hear the before/afters

Building one? Read how to build a music producer portfolio website →

Skip the list of portfolios See all 58 ↓

The short answer

A music producer portfolio is the page a client uses to decide whether to hire you: work they can play without leaving your site, your exact role on each credit, proof it landed, and one clear way to get in touch.

In the 58 portfolios we checked on October 5, 2026, 34 of 56 let you play something without leaving the site, 27 of 58 label their role on credits, 6 of 58 publish prices, and only 2 of 57 let you hear a before and after.

Let them hear it without leaving your site, like Pinar Toprak’s 43-cue homepage playlist.
Write your exact role on every credit, like Dave Fridmann’s Prod/Eng/Mix tags.
Show the before, not just the after, like Sara Carter’s raw-versus-mixed pairs.
Prove it with results, like Joe Barresi’s chart results under each album.
Give one obvious next step, like The Lodge’s single “Book a Session” button.
Tell people what to send, like StudioDMI’s form, which asks for a reference mix and your current rough mix.

What 58 producer portfolios do, and what they skip

34 of 56† let you play something without leaving the site

16 use their own player; the rest embed Spotify, YouTube, Apple Music, a beat-store player or Bandcamp. †2 couldn’t be checked.

27 of 58 label their role on credits

Produced, mixed, co-wrote, Atmos mix. Clients check this line first.

2 of 57† let you hear a before and after on the site

13 more show their process instead: session photos, making-of videos, breakdowns. †1 couldn’t be checked.

6 of 58 publish prices

All 6 sell a repeatable unit: a master, a lease or a studio day.

12 of 56† tell you what to send

A reference track, the rough mix, a deadline: the questions that make a first reply useful. †2 couldn’t be checked.

8 of 21 hitmaker sites give you a form or an email

Working pros: 13 of 13 (2 couldn’t be checked). A household name can route hiring through management, or skip it.

Famous sites sell a name. Working sites sell a service.

Share of hitmaker and working-pro sites with each trait
Trait	Hitmakers	Working pros
Plays on the site	8/19	12/15
Role on credits	6/21	9/15
Lists services	2/21	12/15
Inquiry form	3/21	11/13
Tells you what to send	1/21	7/13
Publishes prices	1/21	3/15
Testimonials	1/21	7/15

Working pros list their services 12 times out of 15; hitmakers 2 out of 21.

That isn’t a knock on the hitmakers: a household name doesn’t need a hire page. You probably do, so copy the hitmakers’ credits and everything else from the working pros.

The hitmakers include two fan or store sites picked on purpose as contrast, marked on their cards.

All four groups

Count of sites with each trait, by group
Trait	Hitmakers (21)	Top engineers (13)	Composers (9)	Working pros (15)
Plays on the site	8/19	6/13	8/9	12/15
Role on credits	6/21	8/13	4/9	9/15
Lists services	2/21	6/13	0/9	12/15
Inquiry form	3/21	6/13	3/9	11/13
Tells you what to send	1/21	4/13	0/9	7/13
Publishes prices	1/21	2/13	0/9	3/15
Testimonials	1/21	2/13	2/8	7/15

How we checked: every site loaded on October 5, 2026 and scored on 11 signals; a second pass fact-checked each claim. Method ↓ · Full scorecard ↓

Music producer portfolio and website examples, by type

58 portfolios across seven kinds of producer. Each card says what stands out, the idea worth stealing and what to watch for. Every site’s score is in one table at the end.

Record producer portfolios (11)

The producers people mean when they say “my producer”: they run the session and often engineer and mix it too. The big names prove pedigree with precise credits. The working producers add what the big names don’t need: a service list, a form and, in Drew Mantia’s case, a demo-to-release comparison. 7 of 11 play something on their site; none publish prices.

In this group, 4 of the 5 working pros list services, against 1 of the 6 others.

Plays on site 7/11Role on credits 9/11Inquiry form 4/11Prices 0/11

Drew Mantia

Working pro

St. Louis music producer, engineer and mixer working with indie artists and music supervisors

Known for: His site lists production and mixing credits and collaborations including Chance the Rapper, SABA, Action Bronson, Twista and GRiZ, plus TV network placements.

Plays on site · Own playerRole on creditsBefore/afterServicesInquiry formWhat to send

What stands out A 'Demo to release' section plays three clients' rough demos next to the finished productions, each captioned with exactly what he did on it.

Steal this Pair two or three client demos with your finished versions and caption each with your role, then add a 'link to your music' field to your inquiry form so first messages arrive with something to hear.

Watch out No prices or starting rates are given, so a budget-conscious artist has to get in touch before knowing whether the full produce-to-master package is within reach. → Rates

Visit drewmantia.com ↗ (opens in a new tab)Built on SquarespaceChecked October 5, 2026

Joe Barresi

Top engineer

Producer, mixer and engineer (rock and metal)

Known for: Has worked with Tool, Queens of the Stone Age, Slipknot, Soundgarden, Weezer and Nine Inch Nails.

Source: Wikipedia

Plays on site · Own playerRole on creditsProcessEmail

What stands out A 50-track 'Music Portfolio' plays on his own site, and the homepage credit cards state his exact role on each album ('Mixed this album', 'Recorded and Mixed', 'Produced, engineered and mixed') above the chart results.

Steal this Host a playable reel on your own page and give every credit a one-line role statement plus one to three results.

Watch out Not on the site: an inquiry form, prices, a list of services → 07 One next step · → Rates

Visit joebarresi.com ↗ (opens in a new tab)Built on SquarespaceChecked October 5, 2026

Dave Fridmann

Hitmaker

Producer, engineer and mixer; runs Tarbox Road Studios

Known for: Best known for producing The Flaming Lips' The Soft Bulletin and Yoshimi Battles the Pink Robots and MGMT's Oracular Spectacular.

Source: Wikipedia

Role on credits

What stands out Every line of the discography states his exact job on that record (Prod/Eng/Mix, Co-prod, mix only, Stereo and Dolby Atmos Mix) next to the year and label.

Steal this Write your precise role on each credit, including partial jobs like 'mixed three songs' or 'Atmos mix', so a client can see you've already done the exact job they're hiring for.

Watch out The credits are plain text with nothing to play, and the studio, client list and discography are spread across two separate sites. → 01 Hear it on site

Visit davefridmann.com/discography.ht… ↗ (opens in a new tab)Built on sitely.appChecked October 5, 2026

DON! (Don Sahand)

Working pro

Sydney-based music producer, mixing engineer and mastering engineer working in hip-hop, R&B, pop and alternative

Known for: His site says he has produced for Grammy-winning artist Daya; the credits marquee also lists Ta-ku, Lord Apex, Young Franco and Milan Ring.

Plays on site · SpotifyRole on creditsSearchable creditsServicesEmail

What stands out Three Spotify playlists, one each for records he produced, mixed and mastered, are embedded on the homepage, so the portfolio stays current whenever he adds a track in Spotify.

Steal this Keep a separate Spotify playlist for each role you play and embed all of them, then give every service its own action button (for example 'Get a mix quote') instead of one generic contact link.

Watch out Inquiries go to a bare email address with no prompt about what to include, so first messages are likely to arrive without references, files or a deadline. → 08 What to send

Visit donsahand.com ↗ (opens in a new tab)Built on LovableChecked October 5, 2026

Show 7 more record producersShow fewer record producers

Jacquire King

Top engineer

Producer, engineer and mixer based at his own studio near Nashville

Known for: Has worked with Kings of Leon, Tom Waits, Norah Jones, Kaleo and Zach Bryan, and his work has drawn more than 40 Grammy nominations.

Source: Wikipedia

Plays on site · SpotifyRole on creditsProcessEmail

What stands out His discography gives every release a role code (producer, engineer, mixer, programming, writer and more, explained in a legend at the top), and notable albums get their own page with year, label, his roles and awards.

Steal this Add a short role legend so every credit shows exactly what you did, and give your biggest records a page of their own with the results.

Watch out The discography stops at 2024 and the only way to make contact is an email address, with no inquiry form or rates. → 07 One next step

Visit jacquireking.com ↗ (opens in a new tab)Built on SquarespaceChecked October 5, 2026

Nigel Godrich

Hitmaker

Producer and engineer (Radiohead, Beck, Paul McCartney)

Known for: Has produced every Radiohead album since OK Computer, plus Beck's Sea Change.

Source: Wikipedia

ProcessEmail

What stands out A wall of 41 record covers in rough release order, where most records carry a run of terse studio memories: rooms, gear, in-jokes from the sessions.

Steal this Next to each record, add two or three specific details from the session (the room, a piece of gear, a moment). Concrete memories prove you were there in a way a credit line can't.

Watch out Records aren't labeled with the artist or his role and nothing plays, so the page depends on visitors already recognizing the covers. → 02 Role on credits

Visit nigelgodrich.com ↗ (opens in a new tab)Built on WordPressChecked October 5, 2026

Tony Visconti

Hitmaker

Producer, engineer and arranger (David Bowie, T. Rex, Thin Lizzy)

Known for: Produced many of David Bowie's albums through his last, Blackstar; his work on Blackstar won the Grammy for Best Engineered Album, Non-Classical.

Source: Wikipedia

What stands out His client list puts a count next to the biggest relationships (11 Bowie studio albums, 7 with T. Rex, three with Thin Lizzy) before the longer list of names.

Steal this If you've worked with an artist more than once, say how many records. Repeat bookings are stronger proof than a long list of one-off names.

Watch out Not on the site: anything to play, a form or email → 01 Hear it on site · → 07 One next step

Visit tonyvisconti.com/artists ↗ (opens in a new tab)Built on SquarespaceChecked October 5, 2026

Mark Needham

Top engineer

Mix engineer, producer and recording engineer (Los Angeles and Nashville)

Known for: Mixed The Killers' 'Mr. Brightside' from Hot Fuss and has worked with Fleetwood Mac, Imagine Dragons and Chris Isaak.

Source: Wikipedia

Plays on site · SpotifyRole on creditsProcessServicesInquiry formTestimonials

What stands out Separate service pages for mixing, producing and recording each pair his approach in his own words with client quotes, and every page leads to a booking request form.

Steal this Give each service its own page with a short note on how you work and a quote from a client who hired you for exactly that.

Watch out Recent discography entries drop the role labels that the older ones carry, so it's less clear what he did on current projects. → 02 Role on credits

Visit markneedham.com ↗ (opens in a new tab)Built on a custom buildChecked October 5, 2026

Matt Peel

Working pro

Leeds-based music producer and recording engineer who runs Nave Studios with collaborators and is one of four members of the electronic act HONESTY

Known for: His site lists work with Yard Act (engineering on 'Where's My Utopia'), Dream Wife, Eagulls and W H Lung, and says he is represented by Candy Artists.

Role on creditsInquiry form

What stands out The Selected Works grid labels each release with its format and his role, such as '( LP ) Engineering' or 'Production + Engineering', while production playlists are hosted on his management's DISCO.

Steal this Label every credit with format and role, and if you have management, give them a shareable playlist for A&R while keeping a simple inquiry form on your own site.

Watch out Nothing plays on the page itself; listening means following links out to DISCO or YouTube. → 01 Hear it on site

Visit matt-peel.co.uk ↗ (opens in a new tab)Built on FramerChecked October 5, 2026

Jimmy Bralower Productions

Working pro

New York producer, drum programmer and mixer; former VP of A&R at Atlantic Records

Known for: His bio says he was appointed VP of A&R and staff producer at Atlantic Records in 2000 and worked on records by Madonna, Duran Duran and Steve Winwood.

Plays on site · Own playerRole on creditsServicesInquiry form

What stands out A long career is boiled down to a six-line credits block (10 #1 records, 80+ gold and platinum, two Grammy Records of the Year), placed after a 'Current Releases' section that shows he is still working.

Steal this Sum up a long résumé in a few hard numbers, and lead with this year's releases labeled with your role so legacy credits read as a track record rather than history.

Watch out There are no client testimonials or rates, so newer artists get little sense of what working with him today involves. → 05 Proof

Visit jimmybralowerproductions.com ↗ (opens in a new tab)Built on SquarespaceChecked October 5, 2026

Matt Bayles

Working pro

Seattle freelance record producer, mixer and engineer working mainly in heavy and indie rock

Known for: His About page says he produced or mixed records by Mastodon, Botch, Isis and Screaming Females and was a founding member of Minus the Bear.

Plays on site · BandcampRole on creditsServicesEmail

What stands out Instead of a testimonials section, the homepage links reviews and features of records he made (Pitchfork, NPR, Stereogum), so third-party press does the vouching.

Steal this Link press coverage of records you worked on, and describe each service in two or three plain sentences about how you actually work.

Watch out The full discography and gear list are Google Docs and the listening sits on a subpage, so the homepage itself has nothing to play. → 01 Hear it on site

Visit mattbayles.com ↗ (opens in a new tab)Checked October 5, 2026

Artist-producer and DJ-producer sites (11)

Producers who are also the artist. Their sites are built for fans, so read them for one or two transferable ideas, like Nile Rodgers’ role filter or Mike Will Made-It’s play button on every audio track, not as templates. None of the 11 have an inquiry form.

Plays on site 5/10Role on credits 3/11Inquiry form 0/11Prices 0/11

Nile Rodgers

Hitmaker

Producer, songwriter and guitarist; co-founder of Chic

Known for: Produced David Bowie's Let's Dance and Madonna's Like a Virgin, and co-wrote and played guitar on Daft Punk's 'Get Lucky'.

Source: Wikipedia

Role on creditsSearchable credits

What stands out The discography on his Music page can be filtered by role, so a visitor can pull up only the records he produced or only the ones he played guitar on.

Steal this Tag every credit with what you actually did (produced, wrote, mixed, played) and let visitors filter by it. Above the full catalog, list your best-known songs by artist and title in large type.

Watch out Every call to action serves fans and shoppers; there's no route for an artist or label who wants to work with him. → 07 One next step

Visit nilerodgers.com/pages/the-music ↗ (opens in a new tab)Built on ShopifyChecked October 5, 2026

Mike Will Made-It

Hitmaker

Producer and lead artist (Kendrick Lamar, Beyoncé, Rihanna, Miley Cyrus)

Known for: Produced Kendrick Lamar's 'Humble', which won Best Rap Song at the 60th Grammys (Wikipedia; his press page lists the Grammy).

Plays on site · Own playerEmail

What stands out On his album page, each of the 18 audio tracks has its own play button that streams a 30-second preview without leaving the site.

Steal this Put a play button next to every track you list so visitors hear the work in place, and give press, booking and management separate addresses so each inquiry reaches the right person.

Watch out The play buttons stream 30-second previews, so a visitor hears a taste rather than the finished production; link each preview to the full release.

Visit mikewillmadeit.com ↗ (opens in a new tab)Built on a custom buildChecked October 5, 2026

Metro Boomin (Boominati Worldwide)

Hitmaker

Hip-hop producer and lead artist; founder of the Boominati Worldwide label

Known for: His lead-artist albums Not All Heroes Wear Capes and Heroes & Villains both debuted at No. 1 on the Billboard 200.

Source: Wikipedia

Plays on site · Own playerRole on credits

What stands out A credits page reproduces the full liner notes for every track on Heroes & Villains: producers, additional producers, writers, publishers, players, studio, recording, mixing and mastering engineers, and sample clearances.

Steal this Publish full liner notes for your releases on your own site. They credit everyone who worked on the track, prove your role, and give search engines real text to index.

Watch out The credits cover a single album, so his production work for other artists isn't represented. → 02 Role on credits

Visit boominatiworldwide.com/credits ↗ (opens in a new tab)Built on WordPressChecked October 5, 2026

Daniel Lanois

Hitmaker

Producer and recording artist (U2, Peter Gabriel, Bob Dylan, Emmylou Harris)

Known for: Produced several U2 albums with Brian Eno, including The Joshua Tree and Achtung Baby; three albums he produced or co-produced won the Grammy for Album of the Year.

Source: Wikipedia

Plays on site · YouTubeProcessEmail

What stands out Albums he produced for U2 and Peter Gabriel sit in the same cover grid as his own records, so his production work is part of the main discography rather than a side page.

Steal this Put the records you produced in your main discography, not on a separate page nobody clicks. Pre-fill the subject line on each inquiry link so messages arrive sorted by type.

Watch out The grid doesn't say which records are productions and which are his own albums, so a newcomer can't tell what he did on each. → 02 Role on credits

Visit daniellanois.com ↗ (opens in a new tab)Built on SquarespaceChecked October 5, 2026

Show 7 more artist-producersShow fewer artist-producers

Kaytranada

Hitmaker

Haitian-Canadian producer and DJ

Known for: His album Bubba won the Grammy for Best Dance/Electronic Album and its track '10%' won Best Dance Recording at the 2021 Grammys.

Source: Wikipedia · grammy.com

What stands out A Connect panel lists separate email contacts for management, the booking agency and PR, so every kind of inquiry has an obvious destination.

Steal this Label your contact routes by purpose (sessions, mixing, licensing, press). If you produce instrumental-friendly work, consider releasing instrumental versions as their own listing.

Watch out Every release goes to an off-site smartlink, so nothing plays on the page itself. → 01 Hear it on site

Visit kaytranada.com ↗ (opens in a new tab)Built on a label templateChecked October 5, 2026

Tainy

Hitmaker

Puerto Rican producer and songwriter (Bad Bunny, Wisin & Yandel, Jennifer Lopez)

Known for: Production credits include Bad Bunny's X 100pre and YHLQMDLG.

Source: Wikipedia · Variety

Plays on site · Spotify

What stands out His music page embeds two playlists the platforms maintain, Spotify's 'This Is Tainy' and an Apple Music producer-series playlist, so his catalog plays on the page with no custom build.

Steal this If Spotify or Apple has generated a playlist of your work, embed it. It's credit proof the platform keeps up to date for you.

Watch out None of his production story is written on the site, so visitors and search engines only learn what he's done if they press play. → 02 Role on credits

Visit tainy.com/music ↗ (opens in a new tab)Built on WordPressChecked October 5, 2026

Jacknife Lee

Hitmaker

Irish producer and mixer (U2, R.E.M., Snow Patrol, Taylor Swift)

Known for: Has worked with U2, R.E.M., Snow Patrol and Taylor Swift as a producer and mixer.

Source: Wikipedia

Plays on site · Own player

What stands out The whole one-page site is two tracks in native players that play right on the page, no streaming app or account needed.

Steal this Default to players that run on your own page. If you only show two things, make them two tracks people can hear in one click.

Watch out None of his major-label production work appears, so visitors can't connect these tracks to the credits that make him notable. → 02 Role on credits

Visit jacknifelee.com ↗ (opens in a new tab)Built on WixChecked October 5, 2026

Brian Eno

Hitmaker

Musician, producer and visual artist (Talking Heads, U2, Coldplay)

Known for: Co-produced Talking Heads' Remain in Light and, with Daniel Lanois, U2's The Joshua Tree and Achtung Baby; produced Coldplay's Viva la Vida.

Source: Wikipedia

Role on credits

What stands out Each release tile opens a page that credits every musician track by track, along with the mastering and vinyl-cutting engineers, next to the tracklist and a pre-order link.

Steal this Give each release its own page with the tracklist and a per-track credit for every player and engineer. It shows how you run a session and gives collaborators a page they'll want to share.

Watch out There's no contact or booking route anywhere on the site, and his production work for other artists appears only as one sentence in the bio. → 07 One next step

Visit brian-eno.net ↗ (opens in a new tab)Built on a custom buildChecked October 5, 2026

Mike Dean (M.W.A Music)

Top engineer

Producer, engineer and artist; this page is his artist and merch storefront

Known for: Engineer and producer for Kanye West, the Weeknd, Beyoncé and Travis Scott, and has released six solo albums.

Source: Wikipedia

Contrast, not a template

What stands out Instead of maintaining a discography, the bio links straight to his credit profiles on Muso, Jaxsta, Genius and IMDb.

Steal this Claim your profiles on credit databases such as Muso.AI, Jaxsta and Genius, and link them as independent proof of your credits.

Watch out Not on the site: a list of services, a form or email → 06 Split by buyer · → 07 One next step

Visit mwamusic.com/pages/mike-dean ↗ (opens in a new tab)Built on ShopifyChecked October 5, 2026

Timbaland

Hitmaker

Producer and recording artist (Aaliyah, Missy Elliott, Justin Timberlake)

Known for: Produced Aaliyah's One in a Million, Missy Elliott's Supa Dupa Fly and Justin Timberlake's FutureSex/LoveSounds.

Source: Wikipedia

Services

What stands out The homepage does one thing: it offers two paid ways to submit a song for him to play on his livestream, with the stream schedule posted.

Steal this Give your homepage one main action and make it obvious. For a working producer that's usually 'send me your track' or 'book a call', not a row of equal links.

Watch out The offer stands alone, with no credits, bio or sample of the stream, which only works when the name is already famous. → 02 Role on credits

Visit timbaland.com ↗ (opens in a new tab)Built on WixChecked October 5, 2026

Pharrell Williams

Hitmaker

Producer, songwriter and artist; one half of the Neptunes

Known for: Formed the production duo the Neptunes with Chad Hugo in 1992.

Source: Wikipedia

Contrast, not a template

What stands out The homepage is a drag-and-drop dress-up game for a cartoon avatar, with one link to his latest album and a button to share your outfit.

Steal this A playful gimmick works when everyone already knows your credits. Until then, spend the homepage on audio, credits and a way to reach you.

Watch out Not on the site: role on credits, a form or email → 02 Role on credits · → 07 One next step

Visit pharrellwilliams.com ↗ (opens in a new tab)Built on a custom buildChecked October 5, 2026

Songwriter-producer portfolios (3)

When you write and produce, credits get complicated. These three solve it three ways: a credit line on every track, a streaming playlist that stays current without editing the site, and separate writer and producer discographies.

Plays on site 2/3Role on credits 2/3Inquiry form 1/3Prices 0/3

Paul Epworth

Hitmaker

Producer and songwriter (Adele, Florence + the Machine, U2, Coldplay)

Known for: Won the Academy Award for Best Original Song for Adele's 'Skyfall', seven Grammys and three Brit Awards for British Producer of the Year.

Source: Wikipedia

Role on creditsSearchable creditsEmail

What stands out His discography opens on a curated Selected grid of about 30 records, with All and Playlists tabs beside it, and clicking any cover lists each track with his exact credit on it (produced, co-wrote, additional production, remixed).

Steal this Lead with a short curated selection and keep the complete list one click away. Write your role under every track, not once per album, because it often changes from song to song.

Watch out Nothing plays on the site itself; every track and playlist opens Apple Music or another streaming service. → 01 Hear it on site

Visit paulepworth.com/discography ↗ (opens in a new tab)Built on a custom buildChecked October 5, 2026

Greg Kurstin

Hitmaker

Producer, songwriter and multi-instrumentalist (Adele, Foo Fighters, Paul McCartney)

Known for: Co-wrote and produced Adele's 'Hello'; won the Grammy for Producer of the Year, Non-Classical in 2017 and 2018.

Source: Wikipedia

Plays on site · Spotify

What stands out His credits section is one embedded Spotify playlist of tracks he produced, so visitors can play his work on the page and the list stays current without touching the site.

Steal this Make a public 'Produced by [your name]' playlist, embed it, and add to it as releases come out. Pair it with a one-sentence client list and a single contact route.

Watch out Inquiries go through a link to his management's website rather than an email or form on the page, an extra step a newer producer shouldn't copy. → 07 One next step

Visit gregkurstin.com ↗ (opens in a new tab)Built on SquarespaceChecked October 5, 2026

Desmond Child

Hitmaker

Songwriter and producer (Bon Jovi, Aerosmith, Ricky Martin)

Known for: Co-wrote Bon Jovi's 'Livin' on a Prayer', Aerosmith's 'Dude (Looks Like a Lady)' and Ricky Martin's 'Livin' la Vida Loca'; inducted into the Songwriters Hall of Fame in 2008.

Source: Wikipedia

Plays on site · SpotifyRole on creditsInquiry formTestimonials

What stands out His press kit offers his songwriter discography and his producer discography as separate downloads, next to approved photos and a short bio.

Steal this If you write and produce, keep a separate credit list for each role, on the page and as a download, so an A&R or journalist can grab exactly the one they need.

Watch out The full discography is one long page split only by decade, so finding a single credit among more than 200 entries means scrolling. → 03 Curate, then search

Visit desmondchild.com/press-kit ↗ (opens in a new tab)Built on WordPressChecked October 5, 2026

Beatmaker portfolio and beat store examples (4)

A beat store has two jobs, selling beats and winning placements. The stores sell well, with license tiers, prices and filters. The placement story is where they’re thin. 2 of 4 publish prices, the highest share of any type here.

Plays on site 2/4Role on credits 0/4Inquiry form 2/3Prices 2/4

Boi-1da

Hitmaker

Hip-hop producer (Drake, J. Cole, Travis Scott)

Known for: In-house producer for Drake's OVO Sound label (Wikipedia); received the JUNO International Achievement Award at the 2025 JUNOs, the first producer to get it (his site; CBC; Billboard).

Searchable creditsProcessInquiry form

What stands out His credits are a database of every release he's worked on, searchable by song and artist and filterable by year and certification level (Gold to Diamond).

Steal this Once your credit list runs past a page, add search plus a couple of filters (year, artist, certification) so a visitor can find the one credit they care about in seconds.

Watch out The credits have no audio previews or role labels, so visitors can't hear a track or tell what he did on it without leaving the site. → 01 Hear it on site

Visit boi1da.com/discography ↗ (opens in a new tab)Built on WordPressChecked October 5, 2026

Robin Wesley Instrumentals

Working pro

R&B and hip-hop beat producer from the Netherlands selling licensed beats

Known for: His site says he has produced since 2012 and lists production credits including Snoop Dogg, O'Bryan and Kalen Allen.

Plays on site · Beat storeServicesPricesInquiry formWhat to send

What stands out The homepage puts the beat player, three priced lease tiers, an exclusive tier with a stated starting price and a three-step how-to-buy explainer in a single scroll.

Steal this If you sell beats, show license terms and prices on the main page and give exclusives a floor price, and link each placement credit to the actual release.

Watch out The production credits list names without the role he played or the year, so buyers can't tell a full production from a smaller contribution. → 02 Role on credits

Visit robinwesleyinstrumentals.com ↗ (opens in a new tab)Built on FramerChecked October 5, 2026

Madlib

Hitmaker

Hip-hop producer, DJ and rapper (Madvillain, Freddie Gibbs & Madlib)

Known for: Founded the Madlib Invazion label; his frequent collaborators include MF Doom (as Madvillain) and J Dilla (as Jaylib).

Source: Wikipedia

Contrast, not a template

What stands out The catalog is organized by alias and project (Beat Konducta, Quasimoto, Madvillain, Jaylib and more), so each side of his output gets its own entry point.

Steal this If you work in several lanes (beats, mixing, scoring) or under more than one name, give each its own section so a client looking for one doesn't have to wade through the others.

Watch out Not on the site: anything to play, role on credits, a form or email → 01 Hear it on site · → 02 Role on credits

Visit madlib.com ↗ (opens in a new tab)Built on ShopifyChecked October 5, 2026

Chuki Beats

Working pro

Beat producer (@chukibeatz) selling beat leases, exclusives, sound kits and memberships

Plays on site · Beat storeServicesPrices

What stands out A BeatStars Pro Page on his own domain gives him a searchable beat catalog, four priced license tiers plus exclusives by offer, sound kits and memberships without any custom development.

Steal this If you mainly sell beats, a hosted store such as a BeatStars Pro Page gets licensing and checkout working fast; then add a short bio and credits so buyers know who they are buying from.

Watch out The store shows no bio or credits on the homepage, so buyers learn nothing about the producer behind the beats. → 02 Role on credits

Visit chukibeats.com ↗ (opens in a new tab)Built on BeatStarsChecked October 5, 2026

Mixing and mastering engineer portfolio examples (11)

The most hire-ready of the seven types: 8 of 11 mixing engineer and mastering engineer portfolios have an inquiry form and 6 of 11 tell you what to send. The two that publish prices are both mastering engineers.

In this group, 4 of the 6 working pros list services, against 2 of the 5 others.

Plays on site 7/11Role on credits 5/11Inquiry form 8/11Prices 2/11

Sara Carter (Music Mix Pro)

Working pro

Online mixing engineer for rock and indie bands, Loughborough, UK; formerly at BBC Maida Vale Studios

Known for: Her site says she was previously at the BBC's Maida Vale Studios and worked on BBC sessions and broadcasts with artists such as Adele, The Black Keys and Biffy Clyro.

Plays on site · Own playerBefore/afterServicesInquiry formWhat to sendTestimonials

What stands out Her online-mixing page plays the same songs before and after her mix in on-page players, next to a six-step process that starts with one test mix for approval before she mixes the rest.

Steal this Put a raw-versus-mixed pair on the page that sells mixing, spell out your revision rounds and file-prep steps, and link testimonials to the client's own releases where you can.

Watch out The homepage, where most visitors land, has no player; the before/after examples sit one click away on the mixing page. → 01 Hear it on site

Visit musicmixpro.co.uk ↗ (opens in a new tab)Built on WordPressChecked October 5, 2026

Serban Ghenea

Top engineer

Mix engineer (pop)

Known for: Has won 24 Grammy Awards.

Source: Wikipedia

Role on creditsSearchable creditsEmail

What stands out Each release has its own page listing exactly which tracks he mixed, with label and awards, and the discography can be filtered by release type, year and artist.

Steal this Give each notable project its own page with your role, the exact tracks and the result; it is precise, and each page can be found in search.

Watch out Not on the site: anything to play, an inquiry form → 01 Hear it on site · → 07 One next step

Visit serbanghenea.com ↗ (opens in a new tab)Built on WordPressChecked October 5, 2026

Ken Lewis

Working pro

Mixer, producer, 'finisher' and Dolby Atmos mixer

Known for: His site says he is a two-time Grammy winner credited on 116 RIAA Gold records, with credits for artists including Taylor Swift, BTS, Kanye West and J. Cole.

Plays on site · SpotifyRole on creditsSearchable creditsInquiry form

What stands out A 'Ken's Roles' grid tags each featured track with his exact contribution, down to niche jobs like 'BIG DRUMS' or 'CHOIR & STRINGS PRODUCER', and the full credits page can be sorted by role.

Steal this Label every credit with precisely what you did, even when it was a small part, and let visitors filter your credits by role so each kind of client finds the proof that matters to them.

Watch out There are no client testimonials or working details such as turnaround, process or rates, so the site proves pedigree but says little about what hiring him is like. → 05 Proof

Visit kenlewis.com ↗ (opens in a new tab)Built on WordPressChecked October 5, 2026

Chris Lord-Alge (CLA)

Top engineer

Mix engineer and producer (rock, pop, country)

Known for: Known, with his brother Tom Lord-Alge, for heavy use of compression, and a frequent collaborator of producer Howard Benson.

Source: Wikipedia

Plays on site · SpotifyEmail

What stands out His reel is split into three genre playlists (Various, Iconic and Country mixes), so a country artist can go straight to the relevant work.

Steal this Group your reel by genre or client type so each visitor hears the most relevant work first.

Watch out Logged-out visitors only get Spotify previews, so the page has to tell people to sign in to hear full songs. → 01 Hear it on site

Visit chrislordalge.com ↗ (opens in a new tab)Built on SquarespaceChecked October 5, 2026

Show 7 more mixing and mastering engineersShow fewer mixing and mastering engineers

Chris Brown (brownsound.net)

Working pro

London-based online mixing and mastering engineer, formerly a senior engineer at Abbey Road Studios

Known for: His site says he spent ten years at Abbey Road Studios, rising to senior engineer, with credits including Radiohead, Muse and The Beatles Anthologies.

Plays on site · Own playerRole on creditsServicesInquiry formWhat to sendTestimonials

What stands out His showreels are split by buyer (artist records, library music, commercials and TV), and every clip on the artist reel carries one line of context such as the studio, producer or chart position.

Steal this Build a reel for each type of client and caption every clip with one fact (where, with whom, how it charted), and make your quote form ask for services, budget, song count and a rough mix.

Watch out Testimonials show only a first name, initial and city: good for showing international reach, but a visitor can't follow up with the reviewer. → 05 Proof

Visit brownsound.net ↗ (opens in a new tab)Built on WordPressChecked October 5, 2026

Digital Domain (Bob Katz)

Top engineer

Mastering engineer and author; his studio also offers supervised mixing ('Mix Doctor')

Known for: Wrote a widely used book on mastering and has mastered three Grammy-winning albums (Wikipedia); the site's shop sells the book, Mastering Audio.

Plays on site · Own playerRole on creditsProcessServicesPricesInquiry form

What stands out Hourly rates are public with worked examples (a typical 10-song album comes to about $1,300), right beside 17 mastering demos labeled by genre.

Steal this Publish one worked price example ('a typical 10-song album costs about X') and label your demos by genre so visitors can find their own style quickly.

Watch out The unmastered versions sit behind a login on a separate Downloads page, so the loudness-matched before/after comparison the demo page recommends is hard to make. → 04 Before/after

Visit digido.com ↗ (opens in a new tab)Built on WordPressChecked October 5, 2026

Heba Kadry Mastering

Top engineer

Mastering engineer (Brooklyn), also credited for some mixing

Known for: Known for work with Björk, Beach House and Slowdive (Wikipedia); her site lists film soundtrack masters including Nosferatu, The Northman and Midsommar.

Role on creditsServicesInquiry formWhat to send

What stands out Her inquiry form asks for project type and the exact deliverables needed and requests a password-protected, non-downloadable listening link, backed by a Delivery page that lists what to prepare (final sequence, A/B references, vinyl side breaks, ISRC/UPC, alt versions sent with the mains).

Steal this Publish a short prep checklist and ask for a private listening link in your inquiry form, so your first reply can be about the music.

Watch out Not on the site: anything to play → 01 Hear it on site

Visit hebakadry.com ↗ (opens in a new tab)Built on SquarespaceChecked October 5, 2026

Michael Brauer (BrauerSound)

Top engineer

Mix engineer

Known for: Won Grammys for Coldplay's Parachutes and Viva la Vida and John Mayer's Continuum; clients also include Bob Dylan and Paul McCartney.

Source: Wikipedia

ProcessEmail

What stands out The contact page gives unsigned artists their own lane: management handles business questions, and a separate direct email is listed for unsigned-artist rates.

Steal this If you work with both labels and independents, give independents a clear, direct way to ask about your rates.

Watch out There's no audio on the site; the only listening path is a footer link out to a Spotify playlist. → 01 Hear it on site

Visit mbrauer.com ↗ (opens in a new tab)Built on SquarespaceChecked October 5, 2026

Waltz Mastering (Tom Waltz)

Working pro

Online mastering and stem-mixing engineer

Known for: His site says he has mastered professionally for over 15 years and is certified by Apple for the Mastered for iTunes program.

Plays on site · YouTubeServicesPricesInquiry formWhat to sendTestimonials

What stands out A free sample master is offered right in the header: upload a 24-bit mix and hear the result before paying anything.

Steal this Lower the risk for new clients with a free preview, publish a per-song price table, and keep a file-prep page so mixes arrive with headroom and in the right format.

Watch out The homepage testimonials are unattributed quotes, so a visitor can't tell who is vouching for the work. → 05 Proof

Visit waltzmastering.com ↗ (opens in a new tab)Built on WebflowChecked October 5, 2026

Katie Tavini

Working pro

Mastering engineer based in Liverpool, UK

Known for: Her site lists mastering work with artists including Bloc Party, Nadine Shah, Arlo Parks, Kate Nash and Rudimental, and cites '1 billion streams & rising'.

Searchable creditsInquiry formWhat to sendTestimonials

What stands out Her discography page can be filtered by genre, so a prospective client can jump straight to masters in their own style.

Steal this Tag each credit with a genre and add a filter, and put a 'need it fast?' option and a track-count field on your inquiry form so every quote starts with the facts you need.

Watch out Every cover links out to Tidal and nothing plays on the site, so each listen takes the visitor away from the page where they would book. → 01 Hear it on site

Visit katietavini.co.uk ↗ (opens in a new tab)Built on WebflowChecked October 5, 2026

Daryl Harkin

Working pro

Mix engineer and producer in Derry, Northern Ireland, focused on pop and alternative independent artists

Plays on site · SpotifyServicesInquiry formTestimonials

What stands out He is upfront that his own catalog is still growing, sends visitors to his verified credits on muso.ai, and invites artists to raise budget concerns when they get in touch.

Steal this If your credit list is short, say so plainly and link a third-party credits profile rather than padding it, and add one line inviting artists to mention their budget.

Watch out There is no list of releases or artists on the page itself, so visitors have to leave for muso.ai or the playlists to see what he has worked on. → 02 Role on credits

Visit darylharkin.net ↗ (opens in a new tab)Checked October 5, 2026

Composer portfolio examples: film, TV and games (9)

The best of the seven types at audio: 8 of 9 play music on their site, 6 with their own player. The hire path is thinner. None list services or prices.

Plays on site 8/9Role on credits 4/9Inquiry form 3/9Prices 0/9

Pinar Toprak

Film, TV and game composer

Known for: Two-time Grammy nominee and Primetime Emmy nominee (Wikipedia); her credits include Captain Marvel, The Lost City and the game Avatar: Frontiers of Pandora (her site).

Plays on site · Own playerEmail

What stands out The homepage is a 43-cue playlist where every row shows cue title, project and length, so music starts with zero clicks and covers about 21 projects.

Steal this Open your homepage with a labeled cue playlist (title, project, length on every row) that spans your full range, from features to theme parks.

Watch out There's no itemized credit list; credits are implied by posters and cue labels, and the bio names projects only in prose. → 02 Role on credits

Visit pinartoprak.com ↗ (opens in a new tab)Built on a custom buildChecked October 5, 2026

Jason Graves

Game, film and TV composer

Known for: His site describes him as a two-time BAFTA winner for the Dead Space score; credits include Dead Space, the rebooted Tomb Raider trilogy, Until Dawn, Far Cry Primal and Still Wakes the Deep (his site and Wikipedia).

Plays on site · Own playerSearchable creditsProcessEmailTestimonials

What stands out Every project page runs the same template: how the score was made (for Still Wakes the Deep, a custom-built metal instrument), a short native player of soundtrack tracks, video and interview links, the score's awards, and critics' lines about the music.

Steal this Give each project its own page in a fixed order: one paragraph on how you made the music, three or four playable tracks, then the awards and press lines that are about the music.

Watch out The homepage has no audio, so a visitor has to open a project before hearing anything. → 01 Hear it on site

Visit jasongraves.com ↗ (opens in a new tab)Built on a custom buildChecked October 5, 2026

Nainita Desai

Film, TV, documentary and game composer

Known for: Emmy winner for the documentary The Reason I Jump (her site); known for For Sama, American Murder: The Family Next Door and the game Telling Lies, and named a BAFTA Breakthrough Brit in 2016.

Source: Wikipedia

Plays on site · Own playerRole on creditsSearchable creditsProcessEmail

What stands out Project pages list the awards the music won separately from the awards the project won; the Tales of Kenzera page puts the score's ASCAP win apart from the game's BAFTA.

Steal this List your score's own awards separately from the project's, and put five short cues with lengths on every project page.

Watch out The homepage itself has no audio, so cues start one click in, on a project page or the Reels page. → 01 Hear it on site

Visit nainitadesai.com ↗ (opens in a new tab)Built on a custom buildChecked October 5, 2026

Christophe Beck

Film and TV composer

Known for: Emmy winner for his Buffy the Vampire Slayer score (his site); his scores include Frozen, the Ant-Man films, WandaVision and Agatha All Along.

Source: Wikipedia

Plays on site · Own playerRole on credits

What stands out Project pages credit the whole music team (co-composer, additional music, mixer, music editor, lead orchestrator) and put a playable theme directly under those credits.

Steal this On every project, state your exact role and name your collaborators, then put one signature cue right under that credit block.

Watch out The homepage and the projects grid carry no audio, so every listen costs a click into a project page. → 01 Hear it on site

Visit christophebeck.com ↗ (opens in a new tab)Built on WordPressChecked October 5, 2026

Show 5 more composersShow fewer composers

Garry Schyman

Game, film and TV composer

Known for: Composer of the BioShock and Dante's Inferno scores (Wikipedia); his credits page also lists Middle-earth: Shadow of Mordor and Shadow of War.

Plays on site · Own playerInquiry form

What stands out Listen is the first item in the menu and opens to one playlist per project: 155 cues across 15 playlists, most of them one to three minutes long.

Steal this Make Listen your first menu item and give each project its own playlist of short cues (roughly 60 to 180 seconds) so a busy director can sample quickly.

Watch out The homepage is only the menu, and a few cue titles are still working file names, so first impressions undersell the playlists behind them. → 03 Curate, then search

Visit garryschyman.com ↗ (opens in a new tab)Built on WordPressChecked October 5, 2026

Hildur Guðnadóttir

Film and TV composer, cellist and recording artist

Known for: Academy Award winner for the Joker score; Primetime Emmy and Grammy for Chernobyl (her site and Wikipedia).

Role on creditsEmail

What stands out The Films page gives every score its year, director and a Music line naming each co-composer, lists that score's awards underneath, and files films scored by other composers under a separate Credits heading.

Steal this Put the director, year and any co-writers on every credit card, list that project's awards under it, and file credits on other composers' scores under their own heading.

Watch out Not on the site: anything to play → 01 Hear it on site

Visit hildurness.com ↗ (opens in a new tab)Built on SquarespaceChecked October 5, 2026

Jo Blankenburg

Trailer and album composer

Known for: German composer based in Los Angeles who writes for film and trailers (Wikipedia); his site shows his music in trailers for Star Wars: Episode IX and Knives Out.

Plays on site · Own playerRole on creditsInquiry form

What stands out Trailer placements are shown as the trailers themselves, each captioned with his track title and whether it was a custom piece or an existing album track.

Steal this For sync or trailer work, embed the actual placement and caption it with the track, the project and whether it was written to brief or licensed.

Watch out A splash page for his latest album sits in front of the portfolio, so a music supervisor has to click Enter before seeing any placements. → 01 Hear it on site

Visit joblankenburg.com ↗ (opens in a new tab)Built on SquarespaceChecked October 5, 2026

Michael Giacchino

Film, TV and game composer

Known for: Won the Academy Award for the Up score (his site and Wikipedia); his scores include The Incredibles, Ratatouille, Rogue One and The Batman.

Plays on site · SpotifyEmail

What stands out A page written for one buyer, orchestras: concert suites and live-to-picture film packages, each linked to the publisher or licensor that handles it.

Steal this Make a page for each kind of buyer you serve (directors, studios, orchestras, licensors) that answers only that buyer's questions and says who to contact.

Watch out The homepage leads with a single upcoming event, so the scoring portfolio sits a click away. → 03 Curate, then search

Visit michaelgiacchino.com ↗ (opens in a new tab)Built on WordPressChecked October 5, 2026

Bear McCreary

Film, TV and game composer

Known for: Two-time BAFTA Games Award winner for the music of God of War and God of War Ragnarok, and an Emmy winner (Wikipedia); his site also features Outlander, The Walking Dead and Battlestar Galactica.

Plays on site · SpotifyProcessInquiry formTestimonials

What stands out Each project page lists his own dated blog posts about that score; the God of War page links six posts written between 2016 and 2026.

Steal this Write a short behind-the-score post for each project and link it from that project's page; over the years it becomes a record of how you work.

Watch out Nothing plays on the homepage, so the music is a click into a project page. → 01 Hear it on site

Visit bearmccreary.com ↗ (opens in a new tab)Built on WordPressChecked October 5, 2026

Studio, label and management pages (9)

When the “producer” is a room, a team or a management company. Studios show what detailed pricing and intake look like: Electrical Audio’s rate page, The Mastering Palace’s live estimate, StudioDMI’s required fields. Management pages show how a roster presents one person’s credits.

Plays on site 3/8Role on credits 4/9Inquiry form 5/8Prices 2/9

Electrical Audio

Hitmaker

Two-room recording studio in Chicago founded by engineer Steve Albini, who died in 2024

Known for: Founded in 1997 by Steve Albini, who engineered Pixies' Surfer Rosa and Nirvana's In Utero.

Source: Wikipedia · Rolling Stone · NPR

Plays on site · Own playerServicesPricesInquiry formWhat to send

What stands out The rates page answers the practical questions up front: day rates for each room and each engineer, tape and transfer prices, what counts as a day, half-day rules, lead time, deposit terms and lodging, plus a session cost calculator.

Steal this Publish your prices and the rules around them (what a day or a song includes, the deposit, how far ahead to book). It filters out bad-fit inquiries and answers the first questions before anyone writes.

Watch out One engineer's day rate differs between the rates page and the staff page, so keep prices in a single place and link to it from everywhere else.

Visit electricalaudio.com/booking-rat… ↗ (opens in a new tab)Built on SquarespaceChecked October 5, 2026

The Lodge (Emily Lazar)

Top engineer

Mastering and mixing studio in New York founded by Emily Lazar

Known for: Lazar founded The Lodge in 1997 and won the Grammy for Best Engineered Album, Non-Classical for Beck's Colors, the first female mastering engineer to win that category.

Source: Wikipedia

ServicesInquiry form

What stands out The homepage is a scrolling wall of more than 900 client names and a single 'Book a Session' button, which leads to a six-step inquiry that requires release type, budget and deadline and discloses payment-method fees.

Steal this Let the homepage do one job, and use the inquiry form to qualify leads by asking for release type, budget, deadline and deliverables up front.

Watch out There's no audio or credits page, so visitors have to take the client list on trust. → 01 Hear it on site

Visit thelodge.com ↗ (opens in a new tab)Built on a custom buildChecked October 5, 2026

The Mastering Palace (Dave Kutch)

Top engineer

Mastering studio in New York owned by mastering engineer Dave Kutch, with a roster of engineers

Known for: Kutch's engineer page says he won the Latin Grammy for Record of the Year for Luis Fonsi's 'Despacito' (per the studio's site).

Role on creditsSearchable creditsServicesPricesInquiry formWhat to send

What stands out Choosing an engineer and options builds a live estimate in the cart (a main master plus one alt pass with Dave Kutch came to $298.97 including a service fee), the estimate states the turnaround, and the FAQ says one revision is included.

Steal this Show a calculable price and state your turnaround and revision policy at the moment a client is ready to book.

Watch out There's no audio anywhere, so the instant price arrives before a visitor can hear any of the engineers' work. → 01 Hear it on site

Visit themasteringpalace.com ↗ (opens in a new tab)Built on WordPressChecked October 5, 2026

StudioDMI (Luca Pretolesi)

Top engineer

Las Vegas mixing and mastering studio led by Grammy-nominated engineer Luca Pretolesi (electronic and pop)

Known for: Grammy-nominated mixing engineer and producer who first charted in the 1990s with the techno project Digital Boy.

Source: Wikipedia

ServicesInquiry formWhat to send

What stands out The 'Start your project' form requires a reference mix link, a rough mix link, a target delivery date and an answer to what should stay and what needs work, and lets clients choose Luca or the wider team.

Steal this Ask for a reference track and the current rough mix before the first call, and offer 'work with me' and 'work with my team' in the same form.

Watch out The Featured Work covers link out to Spotify with no role text, so visitors leave the site without learning what the studio did on each record. → 02 Role on credits

Visit studiodmi.com ↗ (opens in a new tab)Built on a custom buildChecked October 5, 2026

Show 5 more studio, label and management pagesShow fewer studio, label and management pages

Infrasonic Sound

Working pro

Collective of mixing, mastering, vinyl-cutting and Dolby Atmos engineers with locations in Nashville, Los Angeles and Berlin

Known for: Built around mastering engineer Pete Lyman, who opened Infrasonic West in 2005 (per the site); its Awards panel lists Grammy wins for records it worked on, such as Chris Stapleton's 'From A Room: Volume 1'.

Role on creditsServices

What stands out Every release on the album-art wall is captioned with which engineer did which job (stereo or Atmos, mix or master), turning a team's discography into individual credits.

Steal this If you work as a team, credit each release by person and service, and link each engineer's bio to a verified credits profile.

Watch out Nothing can be played on the homepage, so the long credit wall has to sell the work through artwork and names alone. → 01 Hear it on site

Visit infrasonicsound.com ↗ (opens in a new tab)Built on ShopifyChecked October 5, 2026

Arcadia Street Studios (Creigh Riepe)

Working pro

Nashville recording studio run by producer, mix engineer and multi-instrumentalist Creigh Riepe, serving Christian, pop and country artists

Plays on site · SpotifyRole on creditsProcessServicesInquiry formWhat to send

What stands out Each example on the Previous Work page has a one-line scope note listing exactly what the studio did, such as tracking, editing, tuning, mixing and mastering.

Steal this Write a scope line under every sample, and tell inquirers what to put in their first message: a demo link, the services they need, their budget and a target release date.

Watch out Most samples are Spotify artist embeds, which play the artist's popular tracks rather than necessarily the song the studio worked on; track or playlist embeds point listeners at the right song.

Visit arcadiastreetstudios.com ↗ (opens in a new tab)Built on SquarespaceChecked October 5, 2026

Andrew Scheps (McDonough Management page)

Top engineer

Mix engineer, producer and engineer, presented on his management company's roster page

Known for: Grammys for Red Hot Chili Peppers' Stadium Arcadium, Adele's 21 and Ziggy Marley's Fly Rasta.

Source: Wikipedia

Plays on site · SpotifyRole on creditsEmail

What stands out A 'Billions Club' block lifts his five billion-stream songs into their own proof section, above credits that say how many songs he mixed on each album.

Steal this Pull your biggest results into a block of their own (a 'Top 5 by streams', say) and say how many songs you worked on per album.

Watch out It's a management roster page rather than his own site, so the only way in is a management email. → 07 One next step

Visit Management page ↗ (opens in a new tab)Built on a custom buildChecked October 5, 2026

The Alchemist (ALC Records)

Hitmaker

Hip-hop producer, DJ and rapper; ALC Records is his own label

Known for: Frequent collaborators include Mobb Deep, Freddie Gibbs and Boldy James (Wikipedia); the store's About page calls ALC Records his private label.

What stands out His own drum and sample kits sit in the same Music menu as his vinyl, CDs and cassettes.

Steal this Package your sound (drum kits, loops, presets) and sell it next to your releases; the people who like your records are the likeliest buyers.

Watch out Not on the site: anything to play, role on credits → 01 Hear it on site · → 02 Role on credits

Visit alcrecords.com ↗ (opens in a new tab)Built on ShopifyChecked October 5, 2026

Rick Rubin (Tetragrammaton)

Hitmaker

Producer; co-founder of Def Jam Recordings and founder of American Recordings

Known for: Co-founded Def Jam Recordings, founded American Recordings, and hosts the Tetragrammaton podcast.

Source: Wikipedia

What stands out Instead of credits, the site publishes his taste: guest playlists, a booklist, essays, podcast clips and short films, organized under Watch, Look, Listen and Read.

Steal this Show your ear as well as your résumé: a monthly playlist of what you're listening to, or a short note on how you approached a session, gives clients a feel for you before they hear a client track.

Watch out Not on the site: role on credits, a form or email → 02 Role on credits · → 07 One next step

Visit tetragrammaton.com ↗ (opens in a new tab)Built on WebflowChecked October 5, 2026

Full scorecard: all 58

? means we couldn’t check it, so it’s left out of that signal’s count.
Portfolio	Plays on site	Role on credits	Searchable credits	Process	Services	Prices	Inquiry form / Email	What to send	Testimonials	Video	Clients
Drew MantiaWorking pro	✓yes	✓yes	–	✓yes	✓yes	–	✓yes	✓yes	✓yes	✓yes	–
Joe BarresiTop engineer	✓yes	✓yes	–	✓yes	–	–	✓yes	–	–	✓yes	✓yes
Dave FridmannHitmaker	–	✓yes	–	–	–	–	–	–	–	–	✓yes
DON! (Don Sahand)Working pro	✓yes	✓yes	✓yes	–	✓yes	–	✓yes	–	–	–	✓yes
Jacquire KingTop engineer	✓yes	✓yes	–	✓yes	–	–	✓yes	–	–	✓yes	✓yes
Nigel GodrichHitmaker	–	–	–	✓yes	–	–	✓yes	–	–	–	✓yes
Tony ViscontiHitmaker	–	–	–	–	–	–	–	–	–	–	✓yes
Mark NeedhamTop engineer	✓yes	✓yes	–	✓yes	✓yes	–	✓yes	–	✓yes	✓yes	✓yes
Matt PeelWorking pro	–	✓yes	–	–	–	–	✓yes	–	–	–	✓yes
Jimmy Bralower ProductionsWorking pro	✓yes	✓yes	–	–	✓yes	–	✓yes	–	–	✓yes	–
Matt BaylesWorking pro	✓yes	✓yes	–	–	✓yes	–	✓yes	–	–	–	✓yes
Nile RodgersHitmaker	–	✓yes	✓yes	–	–	–	–	–	–	✓yes	✓yes
Mike Will Made-ItHitmaker	✓yes	–	–	–	–	–	✓yes	–	–	✓yes	–
Metro Boomin (Boominati Worldwide)Hitmaker	✓yes	✓yes	–	–	–	–	–	–	–	?	✓yes
Daniel LanoisHitmaker	✓yes	–	–	✓yes	–	–	✓yes	–	–	✓yes	✓yes
KaytranadaHitmaker	–	–	–	–	–	–	✓yes	–	–	–	–
TainyHitmaker	✓yes	–	–	–	–	–	–	–	–	?	–
Jacknife LeeHitmaker	✓yes	–	–	–	–	–	–	–	–	–	–
Brian EnoHitmaker	?	✓yes	–	–	–	–	–	–	–	✓yes	–
Mike Dean (M.W.A Music)Top engineer	–	–	–	✓yes	–	–	–	–	–	✓yes	✓yes
TimbalandHitmaker	–	–	–	–	✓yes	–	–	–	–	–	–
Pharrell WilliamsHitmaker	–	–	–	–	–	–	–	–	–	–	–
Paul EpworthHitmaker	–	✓yes	✓yes	–	–	–	✓yes	–	–	–	✓yes
Greg KurstinHitmaker	✓yes	–	–	–	–	–	–	–	–	–	✓yes
Desmond ChildHitmaker	✓yes	✓yes	–	–	–	–	✓yes	–	✓yes	?	–
Boi-1daHitmaker	–	–	✓yes	✓yes	–	–	✓yes	–	–	✓yes	✓yes
Robin Wesley InstrumentalsWorking pro	✓yes	–	–	–	✓yes	✓yes	✓yes	✓yes	–	–	–
MadlibHitmaker	–	–	–	–	–	–	–	–	–	–	–
Chuki BeatsWorking pro	✓yes	–	–	–	✓yes	✓yes	?	?	–	–	–
Sara Carter (Music Mix Pro)Working pro	✓yes	–	–	✓yes	✓yes	–	✓yes	✓yes	✓yes	?	✓yes
Serban GheneaTop engineer	–	✓yes	✓yes	–	–	–	✓yes	–	–	–	✓yes
Ken LewisWorking pro	✓yes	✓yes	✓yes	–	–	–	✓yes	–	–	–	✓yes
Chris Lord-Alge (CLA)Top engineer	✓yes	–	–	–	–	–	✓yes	–	–	✓yes	✓yes
Chris Brown (brownsound.net)Working pro	✓yes	✓yes	–	–	✓yes	–	✓yes	✓yes	✓yes	✓yes	✓yes
Digital Domain (Bob Katz)Top engineer	✓yes	✓yes	–	✓yes	✓yes	✓yes	✓yes	✓yes	✓yes	✓yes	–
Heba Kadry MasteringTop engineer	–	✓yes	–	–	✓yes	–	✓yes	✓yes	–	–	✓yes
Michael Brauer (BrauerSound)Top engineer	–	–	–	✓yes	–	–	✓yes	–	–	✓yes	–
Waltz Mastering (Tom Waltz)Working pro	✓yes	–	–	–	✓yes	✓yes	✓yes	✓yes	✓yes	✓yes	–
Katie TaviniWorking pro	–	–	✓yes	–	–	–	✓yes	✓yes	✓yes	–	✓yes
Daryl HarkinWorking pro	✓yes	–	–	–	✓yes	–	✓yes	–	✓yes	–	–
Pinar ToprakComposer	✓yes	–	–	–	–	–	✓yes	–	–	✓yes	✓yes
Jason GravesComposer	✓yes	–	✓yes	✓yes	–	–	✓yes	–	✓yes	✓yes	✓yes
Nainita DesaiComposer	✓yes	✓yes	✓yes	✓yes	–	–	✓yes	–	?	✓yes	✓yes
Christophe BeckComposer	✓yes	✓yes	–	–	–	–	–	–	–	✓yes	✓yes
Garry SchymanComposer	✓yes	–	–	–	–	–	✓yes	–	–	✓yes	–
Hildur GuðnadóttirComposer	–	✓yes	–	–	–	–	✓yes	–	–	–	✓yes
Jo BlankenburgComposer	✓yes	✓yes	–	?	–	–	✓yes	–	–	✓yes	–
Michael GiacchinoComposer	✓yes	–	–	–	–	–	✓yes	–	–	✓yes	✓yes
Bear McCrearyComposer	✓yes	–	?	✓yes	–	–	✓yes	–	✓yes	✓yes	✓yes
Electrical AudioHitmaker	✓yes	–	–	–	✓yes	✓yes	✓yes	✓yes	–	✓yes	–
The Lodge (Emily Lazar)Top engineer	–	–	–	–	✓yes	–	✓yes	–	–	–	✓yes
The Mastering Palace (Dave Kutch)Top engineer	–	✓yes	✓yes	–	✓yes	✓yes	✓yes	✓yes	–	–	✓yes
StudioDMI (Luca Pretolesi)Top engineer	–	–	–	–	✓yes	–	✓yes	✓yes	–	✓yes	–
Infrasonic SoundWorking pro	–	✓yes	–	–	✓yes	–	?	?	–	–	✓yes
Arcadia Street Studios (Creigh Riepe)Working pro	✓yes	✓yes	–	✓yes	✓yes	–	✓yes	✓yes	✓yes	–	–
Andrew Scheps (McDonough Management page)Top engineer	✓yes	✓yes	–	–	–	–	✓yes	–	–	✓yes	✓yes
The Alchemist (ALC Records)Hitmaker	–	–	–	–	–	–	–	–	–	–	–
Rick Rubin (Tetragrammaton)Hitmaker	?	–	–	–	–	–	–	–	–	✓yes	–

Hear the before and after: SoundToggle portfolios

Only 2 of 57 portfolios we could check let you hear what the producer changed. Each of these 6 SoundToggle players puts every version in one player, so you can switch while it plays. All are public, and each creator confirmed they hold the rights; they come from the same feed as the Showcase. We make the player, so they’re kept out of every number above. What a SoundToggle portfolio page includes →

5 of these 6 compare mixing and mastering stages; the same player works for a D.I. against a reamp, or a demo against a finished production.

Press play, then switch versions: playback keeps your place. Use Match loudness to hear both sides at the same level.

→ 04 Show the before, not just the after

Rough, mix and master in one player

by iddsound (opens in a new tab) · SoundToggle creator

ROUGH → MIX → MASTER

One song in three stages: switch between the rough, the mix and the master while it plays.

Steal this Keep the rough in the comparison, not just the mix and master: a three-stage toggle lets a client hear what each stage of your work added.

On SoundToggle Two-version A/B players work on every plan; a three-way rough, mix and master player like this one needs Studio.

SoundToggle player · ROUGH → MIX → MASTER

In Hindsight

by iddsound

Listen on SoundToggle ↗ (opens in a new tab)

→ Should you put your rates on your portfolio?

A basic mix against the finished master, four songs

by MackieMix (opens in a new tab) · SoundToggle creator

BEFORE → AFTERMost-toggled player in the Showcase

Four songs, each comparing a basic mix with his polished, mixed and mastered version.

Steal this Write your bio as answers to the problems clients bring you, then put the before/after proof directly under it.

MackieMix hire page ↗ (opens in a new tab)

The page runs in the order a buyer decides: a niche headline for alt-rock artists, problem-led copy with a deposit-refund promise, a three-tier GBP price list with a half-price first song, then the SoundToggle before/after player.

Steal this Put your rates and your before/after proof on the same page, and tell prospects exactly what to send first; he asks for a rough mix as an .mp3 or .m4a.

SoundToggle player · BEFORE → AFTER

Project Examples

by MackieMix

Show
Mended
Hear Me Lord
Girl In The Mirror

Listen on SoundToggle ↗ (opens in a new tab)

→ 04 Show the before, not just the after

Raw tracks as received, against the mixed and mastered result

by TiguerSound (opens in a new tab) · SoundToggle creator

Opens on: Mixed & Mastered · also: Raw tracks as received

Four songs from four artists, each switchable between the raw tracks as received and the mixed and mastered result.

Steal this Name the before side for what it really is (here, 'Raw tracks as received') and load the player on your finished version, so the first thing a prospect hears is your best work.

On SoundToggle You choose which version a player opens on (Default State), and you can embed any player on your own site, on every plan. Embed guides: Squarespace, WordPress, Wix, Webflow.

TiguerSound website ↗ (opens in a new tab)

The SoundToggle player from the portfolio is embedded under 'Mixed and Mastered samples', between the service cards and two next steps of different weight: a 'Book a call' scheduling link and a 'we'll contact you' email capture.

Steal this Embed your before/after player on your own site, then offer two next steps: book a call, or leave an email and get a reply.

SoundToggle player · Opens on: Mixed & Mastered · also: Raw tracks as received

TiguerSound After and Before examples

by TiguerSound

Open Up Your Eyes
Cold Days
Bitter
When I Get You Alone

Listen on SoundToggle ↗ (opens in a new tab)

→ 02 Write your exact role on every credit

Mix against master, six songs

by Set The Tone Records (opens in a new tab) · SoundToggle creator

Opens on: MASTER · also: MIX

Six songs, each switchable between mix and master; the player loads with MASTER selected.

Steal this Stamp a one-line credit (name, studio, role) in every project's description, and add your domain as two of its projects do, so anyone who opens the project or its share link sees who did the work.

On SoundToggle A project’s description shows when a visitor opens it on your portfolio, and as the preview text on its share link.

SoundToggle player · Opens on: MASTER · also: MIX

SINEW

by Set The Tone Records

Morning Shade
KK Park, Pt. 1
Severed
Phantoms
Can't Copy You
KK Park, Pt. 2

Listen on SoundToggle ↗ (opens in a new tab)

→ 09 Show your ear and your process, after the essentials

D.I. guitar against the reamped tone

by madsteex (opens in a new tab) · SoundToggle creator

BEFORE → AFTER

Four guitar comparisons, the D.I. signal against reamped tones (metal, rock, strumming, clean), about 14–18 seconds each.

Steal this Demo a specialist skill with short, labeled comparisons (these run about 14–18 seconds) so the listener knows what to listen for before pressing play.

SoundToggle player · BEFORE → AFTER

reamping

by madsteex

D.I. Guitar vs. Metal reamp
D.I. Guitar vs. Rock reamp
D.I. Guitar vs Strumming reamp
D.I. Clean vs Clean Reamp

Listen on SoundToggle ↗ (opens in a new tab)

→ 06 Split the work by who’s buying

Eleven comparisons, each tagged with the job done

by cactus (CACTUS SOUND) (opens in a new tab) · SoundToggle creator

BEFORE → AFTER

Eleven before/after comparisons, each tagged with the job done: mastering, mix and master, or cassette revival.

Steal this Tag every before/after with the job you did on it; the track list then advertises your services without a separate price page.

SoundToggle player · BEFORE → AFTER

CACTUS SOUND COMPARISONS

by cactus (CACTUS SOUND)

Bartender
Walk Away Renee (Left Banke Cover)
Do To Me
Sweetest Taboo (Sade Cover)
Vampires
I Was So Confused
+5 more

Listen on SoundToggle ↗ (opens in a new tab)

More on SoundToggle

beemo · SoundToggle creator

One comparison is labeled MIXED versus BYPASSED rather than before/after, which tells the listener what the second side is.

Steal this Use labels that describe the change (Bypassed, Raw, D.I.) instead of a generic Before and After.

Listen on their portfolio ↗ (opens in a new tab)

Even among these seven SoundToggle creators, only 2 have a contact form or an email address on their portfolio page. Whatever you build on, add one.

Anatomy of a producer portfolio that gets you hired

Nine principles, each proved by cards above. Tap a name to jump to its card; Back brings you here.

Let them hear it without leaving your site

Put a player on the page people land on. Every click out to a streaming app is a chance to lose the visitor, and a logged-out listener may only get a preview. Your own player, or an embed of the exact track, keeps the listen on the page that books you.

Plays on the site: 34 of 56 · own player: 16

Who does it well: Pinar Toprak · 43-cue homepage playlist Joe Barresi · 50-track reel on his site Mike Will Made-It · a play button per audio track Jacknife Lee · two tracks, whole site Garry Schyman · “Listen” is the first menu item

Watch out On Chris Lord-Alge’s site, logged-out visitors only get Spotify previews, so put full tracks in a player of your own.

On SoundToggle Embed a SoundToggle player on your own page so the play button is right there, on every plan. On a hosted SoundToggle portfolio, each project opens with one click.
Write your exact role on every credit

Artist, title, year and what you did: produced, co-produced, mixed, mastered, Atmos mix. Say when the job was partial. It is the line a client checks first, and the one that separates your work from the artist’s.

Role on credits: 27 of 58

Who does it well: Dave Fridmann · Prod/Eng/Mix, Atmos Paul Epworth · a credit on every track Ken Lewis · niche roles, sortable Jacquire King · a legend for role codes Hildur Guðnadóttir · co-composers named; others’ scores filed apart Serban Ghenea · the exact tracks he mixed

Watch out Daniel Lanois’ grid doesn’t say which records are his productions; label each one with your role.

On SoundToggle Each project on your portfolio shows its artist and genre; your description appears when a visitor opens it.
Lead with a short selection, and make the rest searchable

Put your best handful first and keep the full list one click away. Once the list runs past a page, add search or a filter (by role, genre or year) so a visitor can find the one credit they care about.

Searchable credits: 10 of 57

Who does it well: Paul Epworth · Selected and All tabs Boi-1da · a searchable credit database Nile Rodgers · filter by role DON! (Don Sahand) · production, mixing and mastering lists Katie Tavini · a genre filter Nainita Desai · a genre filter

On SoundToggle Choose and reorder the projects on your portfolio; a playlist holds several tracks in one player (3 on Free, 10 on Pro, unlimited on Studio).
Show the before, not just the after

A finished song can’t show what you added. A rough demo against the release, or raw tracks against your mix, can. Match the loudness of both sides so the louder one doesn’t win by default, and label each side for what it is.

Before/after on the site: 2 of 57 · process instead: +13

Who does it well: Drew Mantia · demo to release, role captioned Sara Carter (Music Mix Pro) · raw vs mixed, plus a six-step process Digital Domain (Bob Katz) · recommends loudness-matched comparisons ↓ The live players · 6 before/afters

Watch out Digital Domain keeps the unmastered versions behind a login, so the loudness-matched comparison its demo page recommends is hard to make; put both versions in one player.

On SoundToggle A/B players switch in place, and loudness matching (Off, Locked or Listener’s choice) is on every plan. Test your own free in the browser A/B tool · A/B player
Prove it with results and third parties

Put a result next to each credit: a chart position, a stream count, a repeat booking. Then let someone else vouch for you, with press links, named testimonials or a credits database a client can check.

Clients named up front: 34 of 58

Who does it well: Joe Barresi · a chart result per album Andrew Scheps (McDonough Management page) · a “Billions Club” block Tony Visconti · repeat-booking counts Jimmy Bralower Productions · six hard numbers Matt Bayles · press links as vouching Mike Dean (M.W.A Music) · links to credit databases Nainita Desai · music awards apart from project awards
Split the work by who’s buying

Artists, labels, music supervisors and orchestras want different proof. Give each kind of buyer its own reel, page or section, so nobody has to dig through work that isn’t for them.

Who does it well: Chris Lord-Alge (CLA) · reels by genre Chris Brown (brownsound.net) · reels by buyer, one fact per clip Michael Giacchino · a page for orchestras Madlib · sections by alias Desmond Child · separate writer and producer discographies Michael Brauer (BrauerSound) · a lane for unsigned artists
Give one obvious next step, routed by purpose

Make the hire path the easiest thing on the page: one clear button, or contacts labeled by purpose (sessions, mixing, press). A form or an email address on your own page beats a link to someone else’s site.

Form or email: 41 of 56 · inquiry form: 23 of 56

Who does it well: The Lodge (Emily Lazar) · one “Book a Session” button Kaytranada · contacts labeled by purpose Daniel Lanois · pre-filled subject lines DON! (Don Sahand) · a button per service Mark Needham · every service page ends in a form

Watch out None of the 11 artist-producer sites have an inquiry form.

On SoundToggle A portfolio contact form comes with Pro and Studio; messages go to your Submissions inbox and to your email.
Tell people what to send

Ask for a link to the music, the services needed, the budget and the deadline, and say how to prepare files. The first message then arrives with enough to quote on.

Tells you what to send: 12 of 56

Who does it well: StudioDMI (Luca Pretolesi) · reference and rough mix required Heba Kadry Mastering · deliverables and a private listening link Drew Mantia · a “link to your music” field Chris Brown (brownsound.net) · budget, song count, rough mix Arcadia Street Studios (Creigh Riepe) · what to put in a first message Waltz Mastering (Tom Waltz) · a file-prep page

Watch out The Lodge’s form asks for budget and deadline but doesn’t say how to prepare files; link a file-prep page, as Waltz Mastering does.

On SoundToggle On Studio, the contact form takes custom fields (short text, long text or dropdown, optionally required), so you can ask for a reference link, budget and deadline; plus an auto-reply and webhooks.
Show your ear and your process, after the essentials

Session stories, making-of posts and breakdowns show how you work and what you listen for. Add them once a visitor can already hear the work, see your role and reach you.

Before/after or process: 15 of 57

Who does it well: Nigel Godrich · session memories on most records Bear McCreary · a behind-the-score post per project Jason Graves · how each score was made Rick Rubin (Tetragrammaton) · publishes his taste

Watch out Pharrell Williams’ dress-up-game homepage works because everyone already knows his credits; until yours are that well known, put the essentials first.

Should you put your rates on your portfolio?

Publish prices when the job is a repeatable unit, such as a master, a lease or a studio day; quote when every project is scoped from scratch, and say how you quote.

6 of 58 publish prices. None of the 11 record producers, 11 artist-producers, 3 songwriter-producers or 9 composers do.

Portfolios that publish prices

Prices as published when we checked on October 5, 2026; check the site before you quote them.
Who	Unit	From	Also on the page
Waltz Mastering (Tom Waltz)	per song	$70 (one song; $590 for 10–13)	a free sample master before you pay
Digital Domain (Bob Katz)	per hour	$200/hour (a typical 10-song album about $1,300)	worked examples beside 17 genre-labeled mastering demos
Electrical Audio	per room per day	Studio A $750/day (Studio B $550)	what counts as a day, deposit terms, lead time, a session-cost calculator
The Mastering Palace (Dave Kutch)	per master	a live estimate as you pick an engineer and options	the estimate states turnaround; the FAQ says one revision is included
Robin Wesley Instrumentals	per lease	$50 / $100 / $200; exclusives from $1,500	lease tiers beside the player, with placements and credits
Chuki Beats	per lease	from $39.99 (four priced tiers)	exclusives by offer, on a BeatStars Pro Page
MackieMix hire page ↗ (opens in a new tab)SoundToggle creator	per song	£300 mix · £100 master · £350 both	first song half price; the before/after player just after the rates
JBEATS studio page ↗ (opens in a new tab)platform entry	per hour	$80/hour, 2-hour minimum	a 3-hour package, a four-person room limit, how far ahead to book

Portfolios that quote, and do it well

Michael Brauer (BrauerSound): a direct email just for unsigned-artist rates, separate from management.
Daryl Harkin: invites artists to raise budget concerns when they get in touch.
Chris Brown (brownsound.net): the quote form asks for budget per song or project and promises a quote, usually within 24 hours.
The Lodge (Emily Lazar): the inquiry requires release type, budget and deadline, and discloses payment-method fees.
Heba Kadry Mastering: the delivery page says “contact us for rates”, and the form asks for the exact deliverables.

When to publish prices and when to quote
Publish prices if…	Quote instead if…
The job is a unit (a master, a lease, a studio day)	Every project is scoped differently (full production, scoring)
You want fewer, better-fit inquiries	Your rate depends on the artist (label vs indie)
You can keep one price list current	You’d otherwise publish a range you’re not sure of
Either way: say how pricing works, keep the numbers in one place (one engineer’s day rate differs between Electrical Audio’s rates and staff pages), and ask for budget in the form.

Where producer portfolios live

What the 58 are built on

WordPress15
Squarespace14
Custom build11
Shopify5
Webflow3
Framer2
Wix2
Other (sitely, Lovable, a label template and BeatStars)4
Not identified2

WordPress sites here range from 1 to 9 hiring signals; Squarespace from 1 to 8. The builder isn’t the difference; what you put on it is.

For choosing and setting up a builder, see how to build a producer portfolio website.

Hosted profiles and stores, compared

Hosted profiles and stores: what each is best for, what it can’t do, cost, and five hiring signals on the example checked
Platform (example checked)	Best for	Can’t do	Cost note	Plays on site	Role per credit	Services	Prices	Inquiry form
SoundBetterSoundBetter profile (Ryan Gilligan) ↗ (opens in a new tab)	Mixers, mastering engineers and producers selling remote services who want reviews, written terms, contact and payment in one place.	Samples are MP3 uploads or Spotify embeds with no before/after player; the profile sits inside a marketplace next to competitors; reviews only show as verified when the job was paid through SoundBetter.	SoundBetter charges providers a commission on jobs (SoundBetter FAQ).	✓yes	✓yes	✓yes	–no	✓yes
BeatStars Pro PageBeatStars Pro Page (Beast Inside Beats) ↗ (opens in a new tab)	Beatmakers selling leases and exclusives directly to artists.	Built for selling beats rather than documenting placements or client work; no role-tagged credits on this store.	—	✓yes	–no	✓yes	✓yes	✓yes
BandcampBandcamp artist page (Knxwledge) ↗ (opens in a new tab)SoundToggle vs Bandcamp →	Beat-tape and instrumental producers who release music as artists and want to sell downloads directly.	Web streams are 128 kbps MP3 (page data); credits are a free-text field (empty on this release); no structure for services, rates or roles.	—	✓yes	–no	–no	–no	–no
SoundCloudSoundCloud profile (KAYTRANADA) ↗ (opens in a new tab)SoundToggle vs SoundCloud →	Beatmakers and electronic producers building an audience; instrumental, remix and alternate-version drops.	Streams are transcoded to AAC (SoundCloud's own doc); no credit or role fields, services or rates; some tracks show listeners a Go+ upsell.	The free Basic plan allows up to 2 hours of uploads in total (SoundCloud upload requirements doc).	✓yes	–no	–no	–no	–no
YouTubeYouTube channel (Kenny Beats) ↗ (opens in a new tab)	Producers comfortable on camera whose process is part of the pitch.	No services, rates or booking structure; credits live in free-text descriptions; YouTube's recommended upload audio is lossy AAC-LC or Opus, so playback is presumably lossy too.	—	✓yes	✓yes	–no	–no	–no
InstagramInstagram profile (Kenny Beats) ↗ (opens in a new tab)	Top-of-funnel visibility and short clips for people who already follow you.	Logged-out desktop visitors get a sign-up dialog over the posts; one bio link; no structure for credits, services or rates.	—	–no	–no	–no	–no	–no
LinktreeLinktree link-in-bio (JBEATS / whoisjbeats) ↗ (opens in a new tab)	Routing social traffic from one bio link to several destinations: booking, music, socials.With JBEATS studio page ↗ (opens in a new tab), the link-in-bio that points to a page he owns: Before any embedded tracks, the page states the hourly rate, the minimum booking, a three-hour package price, a four-person room limit and how far ahead to book.	No audio on this page (every song button links out to Apple Music, Spotify, YouTube and others); no structured credits; everything is a single list of buttons.	—	–no	Some (only some song buttons name his role)	✓yes	–no	–no
SoundToggle portfolio pageThat’s us	A hosted page of before/after and finished-track players with a bio and links, or the player you embed on your own site.	No custom domain; one page, not a full site; no beat store or credits database; no revision or approval tracking, invoicing or booking calendar.	Free plan; Pro from $9/month.	✓yes	–no (free-text description only)	–no (bio text only)	–no	Pro+ (contact form on Pro and Studio, off until the owner turns it on)

Or your own website (WordPress, Squarespace, Webflow, Wix and the rest): see what the 58 are built on above, and how to build a producer portfolio website on one →

Where your credits get verified

Credit surfaces: what each shows and its limits
Surface (example checked)	What it shows	Limits
Spotify creditsSpotify song credits + 'Written By' playlist (Louis Bell) ↗ (opens in a new tab)	The credits dialog opens even for logged-out visitors and, since Spotify's late-2025 expansion, lists roles down to mixing second engineers, while writers who have a Songwriter Page get a clickable name and a playlist of their catalog.	You can't edit what appears: credits come from label or distributor metadata, and this same song shows no mastering credit even though Apple Music lists one.
Apple Music creditsApple Music song credits (Post Malone, 'Circles') ↗ (opens in a new tab)	Credits are printed directly on the public song page, with no click and no subscription, and they include the mastering engineer that Spotify's credits for the same song leave out.	Names are plain text, so there's no contributor page to send a client to, and Apple notes that credits aren't available for every song.
TIDAL creditsTIDAL credits (Post Malone, 'Circles') ↗ (opens in a new tab)	Every name in the logged-out credits list is a link, real-name writer credits resolve to the artist's page (Adam Feeney opens Frank Dukes' page), and contributor credit pages can be filtered by role: songwriter, performer, producer, production team, engineer.	The full credits list came up empty for an engineer-only contributor we checked and this release shows no mastering credit, so TIDAL alone won't document engineering work.
DiscogsDiscogs artist credits (Louis Bell (4)) ↗ (opens in a new tab)	Credits are counted by category (writing and arrangement, production, technical, instruments, vocals), and the page gathers his name variations and an alias so differently spelled credits land in one place.	Access is inconsistent: on the day we checked, the page loaded in one browser and showed a bot check in another, so use it as a backup citation rather than the link you send.
A management roster pageElectric Feel management roster page (Louis Bell) ↗ (opens in a new tab)	Every line of the year-by-year discography names his role on that song (producer, writer, vocal producer, recording engineer, mixing engineer), so a reader sees the job he did, not just the artist.	The discography ends at 2021, so newer work such as the 2024 credits listed on Discogs is missing; a credits page only persuades while it's current.

Link the one that shows your role. On Post Malone’s “Circles”, Apple Music listed the mastering engineer; Spotify and TIDAL didn’t. Credit databases such as Muso.AI show up as links on featured sites: Mike Dean, Daryl Harkin and Infrasonic Sound point to theirs.

Common portfolio mistakes, and the fix

Patterns we saw more than once, with the fix. We’ve left the sites unnamed.

A name domain that forwards to a merch store or band shop. Instead: give your production work its own page at your name.
A homepage that’s only social icons. Instead: three credits with your role, two or three tracks that play on the site, and one way to reach you.
Credits that exist only as images. Cover walls without text or alt text can’t be searched, read aloud or copied. Instead: put the title and your role in real text under every cover.
Hire links that go nowhere (a “Let’s work” menu that opens an empty folder, cover links that 404). Instead: click your own hire path, start to finish, once a month.
Audio that starts by itself, with no controls. Instead: let visitors press play; browsers block autoplay anyway.
A splash or “Enter” gate before any work. Instead: put the work on the first screen.
“Coming soon” labels that outlive the date. Instead: date your recent work and give banners an end date.
Numbers that disagree between pages (stats in the search snippet vs the press page, a rate on two pages). Instead: keep every figure in one place and link to it.
An expired or mismatched HTTPS certificate, or a security add-on that blocks real visitors. We held back a few portfolios because browsers warned us before loading them. Instead: check the padlock and test from a phone on mobile data.
An artist embed where you meant a track. A Spotify artist player plays their popular songs, not necessarily yours. Instead: embed the track, or a playlist of the songs you worked on.

How we picked and checked them

On October 5, 2026 we loaded every site in a normal browser or by fetching the page, scored it on 11 signals, and had a second pass fact-check each claim against the live page. Where we could, we checked notability against Wikipedia or another independent source; otherwise the card says “per his site” (or her, or its) or leaves the claim out.

We checked 133 sites and profiles. 80 appear in this guide, 38 passed but weren’t needed or were held back because browsers warn before loading them, and 15 didn’t make it: sites that were broken or blocked us, sites we couldn’t tie to the person, pages that weren’t portfolios (a redirect to a band shop, a page of social icons), sites browsers warn about before loading, a few where featuring them would mostly mean criticizing a named person, and 3 SoundToggle accounts, one of them our founder’s. Three famous fan and store sites are kept on purpose as contrast, and marked on their cards. This isn’t a random sample: we picked for range across seven kinds of producer, with famous names first because that’s what people search for.

Nobody paid to be included, and there are no affiliate links. The producers and studios featured haven’t endorsed SoundToggle and aren’t affiliated with us. SoundToggle wrote this guide; the SoundToggle portfolios have their own section and aren’t counted in any stat. Spot an error? Email info@soundtoggle.io.

What we scored, and how

Signal	What counts	Share of the 58
Plays on the site	Playable examples of the producer’s work somewhere on their own site. An embed counts; links out to streaming apps and promo videos don’t.	34 of 56
Role on credits	Credits that say what the producer did on each release: produced, mixed, co-wrote, Atmos mix.	27 of 58
Searchable credits	A credit list a visitor can search, sort or filter (by role, genre, year or artist).	10 of 57
Before/after or process	A before/after you can hear, session or behind-the-scenes media, or a page on how they work.	15 of 57
Lists services	A list of the services a client can hire them for.	20 of 58
Publishes prices	Published prices, or a way to estimate the price on the site.	6 of 58
Form or email	An inquiry form or booking flow, or an email address (direct or management), on the site.	41 of 56
Tells you what to send	Instructions on what to send or prepare: files, references, budget, deadline.	12 of 56
Testimonials	Quotes from clients or press about the work.	12 of 57
Reel or video	A showreel, session video or interview on the site.	28 of 54
Clients named up front	Recognizable client names on the page we link to, without scrolling far.	34 of 58

Unknown means we couldn’t check it, so it’s left out of that signal’s count. “Plays on the site” counts audio anywhere on the producer’s own site, not only the page we link.

Music producer portfolio FAQ

What makes a good music producer portfolio?

A good music producer portfolio plays your work on the site, names your role on each credit, proves results and shows how to hire you. In SoundToggle’s October 2026 check of 58 music producer portfolios, 34 of 56 (61%) had something playable on the site, but only 16 used their own player rather than a third-party embed. Role labels on credits appeared on 27 of 58 (47%), and an inquiry form on 23 of 56 (41%). The rarest traits were published prices, 6 of 58 (10%), and a before-and-after you can hear, 2 of 57 (4%).

What are some good music producer portfolio examples?

Strong music producer portfolio examples include Dave Fridmann, Nile Rodgers, Paul Epworth, Boi-1da, Sara Carter, Pinar Toprak and Electrical Audio, each for a different reason. Look at Dave Fridmann for his exact role on every record, Nile Rodgers for a discography you can filter by role, Paul Epworth for a credit line on every track, Boi-1da for a searchable credit database, Sara Carter for raw-versus-mixed pairs on her mixing page, Pinar Toprak for a 43-cue playlist on the homepage and Electrical Audio for a full rate page with a cost calculator. For working producers, the best sites add a service list, an inquiry form and a before-and-after you can hear.

How many tracks should a music producer portfolio have?

Lead with three to six finished tracks and keep the rest one click away. The strongest examples curate rather than count: Jacknife Lee’s whole site is two tracks, Garry Schyman offers 155 short cues across 15 project playlists, and Paul Epworth leads with a selected grid of about 30 records and keeps all 144 one click away. If you’re starting out, a handful of finished tracks plus one before-and-after beats a long list of rough ideas.

Should a music producer put rates on their website?

Publish prices if you sell a repeatable unit, such as a master, a lease or a studio day; otherwise explain how you quote. In SoundToggle’s October 2026 check of 58 music producer portfolios, 6 of 58 (10%) published prices: Robin Wesley Instrumentals, Chuki Beats, Digital Domain, Waltz Mastering, Electrical Audio and The Mastering Palace. All of them sell a repeatable unit. None of the record producers, artist-producers, songwriter-producers or composers did. Michael Brauer lists a direct email for unsigned-artist rates, and Chris Brown (brownsound.net) uses a quote form that asks for budget and promises a quote, usually within 24 hours.

Do famous producers have portfolio websites?

Many do, but few famous producers’ sites are built to get them hired. In SoundToggle’s October 2026 check, 8 of 21 (38%) hitmaker sites offered a form or an email address, against all 13 working producers’ sites that could be checked. Some are built for fans: Pharrell Williams’ homepage is an interactive dress-up game, which suits an artist everyone already knows, and The Alchemist’s site is his label’s store. The exceptions are worth copying: Nile Rodgers lets you filter his discography by role, Boi-1da’s credits are a searchable database, and Paul Epworth writes his exact credit on every track.

How should I list my production credits?

Write the artist, title, year and your exact role on every line, and say when the role was partial. Dave Fridmann’s discography marks each record as production, co-production, mix only or Atmos mix. Jacquire King prints a legend for his role codes. Hildur Guðnadóttir gives every score a Music line that names any co-composer, and files films scored by other composers under a separate Credits heading. Then let people check: link the streaming service that shows your role (on Post Malone’s “Circles”, Apple Music lists the mastering engineer and Spotify doesn’t), or a credits database, as Mike Dean does.

Do I need big credits to have a good producer portfolio?

No: show what you add instead of who you’ve worked with. Drew Mantia pairs three clients’ rough demos with his finished productions. Daryl Harkin says plainly that his catalog is still growing, links his verified credits and invites artists to raise budget concerns. A clear service list, a contact form that asks for a link to the artist’s music, and a few named testimonials do more than a padded credit list.

What do the best mixing and mastering engineer portfolios do?

They make hiring easy: an inquiry form, instructions on what to send, and a before-and-after you can hear. In SoundToggle’s October 2026 check of 11 mixing and mastering engineer portfolios, 8 of 11 had an inquiry form and 6 of 11 said what to send; the two that publish prices, Digital Domain and Waltz Mastering, are both mastering engineers. Sara Carter’s mixing page pairs raw and mixed versions of the same songs, Chris Brown (brownsound.net) splits his reels by type of client, and Waltz Mastering offers a free sample master before you pay.

Is a BeatStars page enough as a beatmaker portfolio?

For selling leases it can be, but add a bio and credits so artists know who made the beats. Chuki Beats runs a BeatStars Pro Page on his own domain with a searchable catalog and four priced license tiers plus exclusives by offer, and Beast Inside Beats puts usage limits and prices right beside the player. Neither store showed a bio or credits on the pages SoundToggle checked in October 2026. Robin Wesley Instrumentals shows the fix: placements and credits sit next to the lease tiers.

Should my portfolio include before-and-after examples?

Yes, if you have permission to share them: a before-and-after you can hear is the rarest proof among music producer portfolios. In SoundToggle’s October 2026 check, only 2 of 57 (4%) offered one on the site (Drew Mantia and Sara Carter), and 13 more showed their process through session photos, making-of videos or breakdowns. Label each side for what it is, such as DEMO and FINAL or “Raw tracks as received”. On SoundToggle you can rename each side and choose which version the player opens on, and loudness matching is on every plan.

What should a producer’s contact form ask for?

Ask for a link to the music, the services needed, the budget and the deadline, so your first reply can be a real answer. StudioDMI’s form requires a reference mix, the current rough mix, a target date and what should stay or change. Heba Kadry asks for the exact deliverables and a private, non-downloadable listening link. Drew Mantia adds a “link to your music” field. In SoundToggle’s October 2026 check, only 12 of 56 (21%) music producer portfolios told visitors what to send. On SoundToggle the portfolio contact form comes with Pro and Studio; Studio adds custom fields (short text, long text or dropdown, optionally required), an auto-reply and webhooks.

Can I use Spotify, Apple Music or TIDAL credits as proof?

Yes as citations, but not as your portfolio, because you can’t edit them. Spotify’s credits dialog opens for logged-out visitors and, since late 2025, lists roles down to mixing second engineers. Apple Music prints credits on the public song page. On the release SoundToggle checked, every credited name on TIDAL was a link, and its contributor pages filter by role. All three take credits from label and distributor metadata: on Post Malone’s “Circles”, Apple Music listed the mastering engineer and Spotify and TIDAL didn’t. Link the service that shows your role, from a portfolio you control.

Can I make a music producer portfolio for free?

Yes. Every SoundToggle (soundtoggle.io) account, including Free, gets a hosted portfolio page at app.soundtoggle.io/u/yourname with a bio, photo, up to 8 links and up to 3 projects (250 MB, lossy uploads), with A/B players and loudness matching you can switch on. Free pages carry SoundToggle branding. Pro ($9/month, $84/year or $199 once) adds lossless playback, 25 projects, the contact form and branding removal. See pricing and the portfolio feature. SoundCloud’s free plan allows up to 2 hours of uploads in total, per its help center, but has no fields for credits or services.

Free plan · No credit card

Put your before and after on the page.

Only 2 of 57 portfolios we could check let a visitor hear what the producer changed. A SoundToggle portfolio does it on the Free plan, with A/B players and optional loudness matching. Pro adds lossless playback, a contact form and no branding.

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Not ready? Read how to build a producer portfolio website. Pricing.

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